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Adeyinka Makinde







Nigerian by birth and British by nationality, Adeyinka Makinde is a barrister-at-law by training and has taught law at a number of colleges and universities in the United Kingdom...... A student of boxing, he has written many articles and match reports for a number of boxing sites on the World Wide Web including http://cyberboxingzone.com and http://eastsideboxing.com. His work has appeared in Le Soliel, the premier Senegalese newspaper. He has also contributed to African Renaissance; a journal dedicated to the socio-political and economic affairs of the continent and Black Star News; a New York City-based investigative newspaper...... He is the author of the biography Dick Tiger: The Life and Times of a Boxing Immortal (ISBN-10:1-59571-042-6 & ISBN-13:9781595710420) published by Word Association Publishers in 2005. The book received excellent reviews world wide from boxing publications such as The Ring (America), Boxing News (England), The Fist (Australia), and MondoBoxe.com (Italy)......His article, 'Pug of Ages: Weep for Me' (2002), which explores the economic, social and cultural aspects of boxing, is reprinted alongside classic essays on boxing by William Hazlitt and Joyce Carol Oates as source material in two English language academic textbooks concerned with developing critical thinking skills among pre-university High School students in the United States. Writing: The Synthesis Essay & English Language and Composition: Analysis, Argument and Synthesis by John Brassil, Sandra Coker and Carl W. Glover. (Peoples Education, New Jersey, USA 2007)...... In 2006, he served as both consultant and contributor to a BBC World Service Radio produced documentary on the life of Dick Tiger, and in 2007, he appeared on a Sky TV broadcast entitled 'Deadly Rivals' in regard to which he contributed expert opinion on the Michael Watson-Chris Eubank and Muhammad Ali-Joe Frazier boxing rivalries...... He is currently working on his second book, tentatively titled Jersey Boy: The Life and Mob Slaying of Frankie DePaula which will be released in 2008.
Articles by this Author
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» Adeyinka Makinde e-mail interview on African boxing
By Adeyinka Makinde | Published 03/18/2010 | Interview | Unrated  printer version
Eoin Redahan: There are countless American boxers of African ancestry in boxing’s Hall of Fame. Why do you think Africa has so few boxers in the Hall of Fame?

Adeyinka Makinde: Perhaps you could ask a similar question as to why the African Diaspora in North America produces the men and the women with the fastest recorded times in sprinting. Most of them, I'd wager, would be able to trace their ancestry to parts of West and Central Africa, yet there is no corresponding success among their contemporaries from the 'Motherland'. It's likely to be down to the nurturing they receive in the early stages of their careers.

» BOOK REVIEW: JACOBS BEACH - THE MOB, THE GARDEN AND THE GOLDEN AGE OF BOXING
By Adeyinka Makinde | Published 01/25/2010 | Review | Unrated  printer version

The sport of baseball has traditionally been referred to as the national sport of the American nation. Its handsome uniforms, consisting of embroidered caps, buttoned tops and knickerbockers, suggested the spirit of civilized competitiveness. Adapted from English ‘rounders’, it was, and perhaps still is, seen as something of an embodiment of the American way. “Whoever wants to know the heart and mind of America,” wrote Jacques Barzun, “had better learn baseball.”


» BOOK REVIEW: OSCAR MICHEAUX – THE LIFE OF AMERICA’S FIRST BLACK FILMMAKER
By Adeyinka Makinde | Published 08/27/2009 | Review | Rating:  printer version
The mention of the term 'filmmaker' brings to mind the likes of John Ford, Alfred Hitchcock, Francois Truffaut, Luis Bunel and kindred scions of the cinema. More than merely being a paid cog in the machinery geared towards producing a motion picture, the filmmaker is not merely a director. he is usually the instigator as well as the facilitator whose visualised product bears the personalised imprint of a series of techniques and themes that are instantly recognisable to connoiseurs of the art.

» Pope Pius XII and History
By Adeyinka Makinde | Published 08/11/2009 | Religion | Unrated  printer version
If any person serves as an illustration of history as a battleground in the interpretation of a legacy then it surely must be the figure of Eugenio Pacelli, the twelfth Pope to bear the name Pius and the 260th in the line of apostolic succession from St. Peter. During the 1950s, in the aftermath of the allied victory of the Second World War, he had stood triumphant; at the head of a church at the height of its influence and prestige. Pius was a steely but saintly man who it was argued had kept the church together and enabled it to survive one of its darkest hours.

» Music Syncretism: Blues Rock
By Adeyinka Makinde | Published 07/14/2009 | Entertainment and Music | Unrated  printer version
John Lennon may be lionised -undeservedly, it may be argued- by many for reasons in excess of his worth as a writer and co-writer of some of the most influential songs in popular music, but may also be unfairly derided for his alleged pretensions as rock music's intellectual-in-chief. He was in actuality a rather straight-talking iconoclast and social commentator whose famously incendiary analysis that the Beatles were more popular than Jesus Christ, actually resonated with more than a grain of truth about the shift in Western societal values from the Christian derived sort to those of a more secular vein.

» THE LEGACY OF MICHAEL JACKSON
By Adeyinka Makinde | Published 07/14/2009 | Special Features | Rating:  printer version

The opening rapid stroke of fingers across the keys of a piano, followed by a staccato funk-driven guitar accompanied by bass, sets the scene for arguably one of the most stunning introductions in the history of rock. A prepubescent voice; controlled and dynamic, affects a high-pitched mournful smooth-as-silk wail that is reinforced by the doo-wop-like vocal bobbing of a set of older but still youthful backing singers. Then the words come tumbling out; an impassioned plea for mercy and forgiveness by a previously complacent lover: “When I had you to myself I didn’t want you around”. The voice continues.


» The Pride and the Passion - Barcelona v Manchester United
By Adeyinka Makinde | Published 05/24/2009 | Sports and Recreation | Unrated  printer version
Since its inauguration, the UEFA Champions League while bringing together an aggregate of the best football teams on the European continent has nonetheless failed to convince some who still yearn for the old format European Champions Cup which pitted 16 of its member nations league champions against one another in an entirely knockout competition. The new order they gripe is merely a self-contradicting tourney -its participants after all are not all champions- designed solely with the objective of lining the pockets of the elite teams and UEFA

» Wole Soyinka
By Adeyinka Makinde | Published 09/28/2008 | Personality Profiles | Rating:  printer version
Akinwale Oluwole Soyinka holds the distinction of being the first African winner of the Nobel Prize for Literature. His works, which have encompassed drama, novel and poetry genres, have tended to reflect the syncretism of Yoruban culture and the subversive instincts of his Egba heritage; traits which also marked the career of his famous musician cousin Fela Anikulapo-Kuti.

» TRIBUTE TO WANGARI MAATHAI : by Adeyinka Makinde
By Adeyinka Makinde | Published 12/14/2007 | Personality Profiles | Unrated  printer version
That Wangari Maathai is a special human being is beyond doubt. But in determinedly surmounting and overcoming the particular barriers arrayed against her so effectively as to become a global figure of female emancipation, democratization, and environmental consciousness; the operative appellation, perhaps, should be ‘extraordinary.’


» THE IGBO AND JEWRY
By Adeyinka Makinde | Published 12/7/2007 | Special Features | Rating:  printer version
The following is an adaptation of the substantive aspects of a private response to Mr. Ozodi Osunji's rejoinder to a lecture that I delivered to an audience of the Jewish Museum in London. In it, I attempted to pick up on a number of points and observations of Dr. Osunji; many of which have added alternate perspectives and further depth to my knowledge and understanding of the topic. I embarked on this topic fully cognizant of the controversies and sensitivities attendant to it.

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